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The Woman in Black

Posted on 27/01/2026

There really couldn’t be a better place for The Woman in Black to visit than The Alexandra Theatre. Built in 1901 (originally called The Lyceum until 1902) and famous for its own ghostly goings-on, the venue feels like part of the story before the show has even begun. It’s grand, atmospheric, and just a little bit creepy – exactly what you want for this production.

📷 Mark Douet

The Woman in Black is proper storytelling theatre at its best. The kind that doesn’t rely on big sets or huge casts, but instead uses atmosphere, imagination and timing to completely get under your skin. The use of sound, shadows, haze and lighting is so clever – and the jump scares are perfectly placed. I could hear people gasping and squealing throughout the audience, and yes… I jumped too (even on my fourth time seeing it).

📷 Mark Douet

What really makes this production stand out is the acting. With just *two actors on stage, John Mackay and Daniel Burke somehow bring an entire world of characters to life. You genuinely forget there are only two of them. One moment you’re laughing, the next you’re holding your breath – and that shift happens effortlessly.

The design and lighting deserve a special mention too. Michael Holt’s set, paired with Kevin Sleep’s lighting, creates a space that feels eerie, vast and claustrophobic all at once. Every sound and shadow feels intentional, drawing you deeper into the story.

📷 Mark Douet

Whether this is your first time seeing The Woman in Black or you’re returning again (and again), this version is absolutely worth it. Chilling and brilliantly acted, it’s one of those shows that reminds you just how powerful live theatre can be.

You can see our favourite production of The Woman in Black at The Alexandra Theatre until Saturday 31 January 2026. With tickets priced from £15.

Book here: https://www.atgtickets.com/shows/the-woman-in-black/the-alexandra-theatre-birmingham/

⭐️⭐️⭐️⭐️⭐️

*ssh, our lips are sealed.

Disclaimer: I was invited to attend the press performance, but as always, all thoughts and opinions are entirely my own.

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